Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Morning bath oil painting


Morning bath
mk128 60x83cm 1886
Painting ID::  37755 		Edgar Degas
Morning bath
mk128 60x83cm 1886
   
   
     
Edgar Degas The Woman Play Parasol oil painting


The Woman Play Parasol
mk128 Oil on canvas 27x20cm About 1887-1890
Painting ID::  37756 		Edgar Degas
The Woman Play Parasol
mk128 Oil on canvas 27x20cm About 1887-1890
   
   
     
Edgar Degas A picture of Russian dance oil painting


A picture of Russian dance
mk128 Oil on canvas 41x88cm 1887
Painting ID::  37757 		Edgar Degas
A picture of Russian dance
mk128 Oil on canvas 41x88cm 1887
   
   
     
Edgar Degas A picture of Russian dance oil painting


A picture of Russian dance
mk128 700x200cm About 1893-1898
Painting ID::  37758 		Edgar Degas
A picture of Russian dance
mk128 700x200cm About 1893-1898
   
   
     
Edgar Degas Balneation oil painting


Balneation
mk128 55x47cm About 1890
Painting ID::  37759 		Edgar Degas
Balneation
mk128 55x47cm About 1890
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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